Shared Visual Space: Dance Film in Performance
نویسندگان
چکیده
In NightDriving, a semi-transparent projection scrim filling the width and height of the stage brings real and virtual dancers into the same field of view. The resulting shared visual space contains two kinds of representation: a “here and now” embodiment of the dance through the live performers, and projected dance film imagery of virtual figures in counterpoint to the live dancers. This shared visual space is contrasted with two related works. In Looking Back, a solo dancer on stage relates to a dance film duet projected on a screen behind her. Ascension was conceived exclusively as a “screen experience”, a dance film not accompanied by live dance.
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